Ancient Near Eastern Thought and the Old Testament: Introducing the Conceptual World of the Hebrew Bible Review

Ancient Near Eastern Thought and the Old Testament: Introducing the Conceptual World of the Hebrew Bible
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First off I want to say that I audited a course by the author of this book, and read through the book throughout the semester. It is part of the core curriculum for an M.A. in New Testament or Old Testament Exegesis at Wheaton. I am a pastor who preaches regularly. This book has impacted my entire understanding of the Old Testament in a powerful way.
The logical format of this book gives the reader a simple and effective way to slowly enter into the worldview of ancient people. The author is very good at giving readers hinge concepts to help understand the distinctions between our worldview and their worldview.
The book categorizes ancient near eastern thought into topics that are actually enjoyable to read. Each topic could easily overlap with other topics, and Dr. Walton does a great job of separating the topics without distorting them (in my opinion).
This book tackles thorny issues that separate Evangelicals from Liberals in the land of scholars, without alienating either side of the issue. Walton's premise is that we should abandon the old approaches to Ancient Near Eastern Thought and simply understand what they believed, and how it was different from or the same as Old Testament thought.
One concept that emerges as the book develops is the idea that some Israelite prophets argued for the support of the covenant with God rather than for the reinforcement of the Kings authority (as the prophets of other cultures and sometimes Israeli culture did). This sets Israeli prophets who held to the covenant with God at odds with everyone else who prophecied in Israel and around Israel. Coupled with the exclusiveness of the Jewish religion, and the people soon became alienated from those around them and sometimes from their own religion or people.
Probably the most helpful aspect of this book is his excellent approach to comparative studies without labeling certain parts of the bible as extensions of other cultures or vice versa. His approach, when properly understood, is actually what both sides of the historical divide on this topic ought to be doing. I find it not only full of wisdom, but extremely helpful in preparing sermons from the Old Testament.
A nice companion to this volume is The Bible Background Commentary of the Old Testament. I think that this book shows you how to use the Bible Background Commentaries.
One criticism that I would like to mention is that some of the charts in this book are a bit difficult for me to understand. That's an area that the next edition may have to improve on. However, there are only a few pages like that and the rest of the book is really a very very good summary and introduction to Ancient Near Eastern Thought and the Old Testament.
Some of the topics he covers include but are by no means limited to:
The Ancient View of the World.
The Ancient view of the heavens.
The Ancient view of Temples
The Ancient view of Omens and Magic.
I think he has around 13 topics in all. This book is well worth reading and if you plan to teach from the Old Testament over the years, you might want to pick up a copy for your personal library. It's packed with helpful references also.


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Hieroglyphs from A to Z: A Rhyming Book With Ancient Egyptian Stencils for Kids Review

Hieroglyphs from A to Z: A Rhyming Book With Ancient Egyptian Stencils for Kids
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I liked this book because it can be used with a wide age range of children. The introductory rhyme and ABC rhymes on each page are especially suited to younger children, while the smaller text at the bottom of the page gives more information for older children. For example, the page for 'R' says 'R is for rabbit. Make a move - off he'll go.' At the bottom of the page you find the hieroglyph for r, an explanation of the symbol, how to write 'rabbit' in hieroglyphs, and a little more information on rabbits in Ancient Egypt. The large picture of a rabbit on the page is a reproduction of either an ancient carving or painting. After the alphabet there are several pages giving information about the history of hieroglyphs and how to write with them which would be of interest to older children as well. A stencil is also included, but you could write your own hieroglyphs by referring to the chart at the back of the book. This book is useful for introducing information on hierglyphs and Ancient Egypt to children.

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Hieroglyphics: The Writings of Ancient Egypt Review

Hieroglyphics: The Writings of Ancient Egypt
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I am torn regarding this book. While it is an exellent study of the individual signs, covering several stages in the evolution of the particular glyph in hieroglyph, hieratic, and demotic characters, it lacks grammer and even word structure aside from a fraction of a page in the introduction. If you are a student of hieroglyphics in the history of the Egyptian culture this could be a most useful book. It is also entertaining and informative to the casual reader, but a student of Egyptian grammer would do better to look elsewhere. Perhaps to Gardiner's "Egyptian Grammar." Betro's book is not, in my opinion, the "complete handbook" it claims to be.

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Six hundred of the figures used in classic Egyptian "sacred text" are here presented with explanations, tracing the origin and meaning of each sign.

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The Giza Power Plant : Technologies of Ancient Egypt Review

The Giza Power Plant : Technologies of Ancient Egypt
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Chris Dunn has given us a powerful new vision of the Great Pyramid at Giza, by using his technical expertise to "reverse engineer" the pyramid. What he finds is a magnificent machine that produced power using the earth itself as the source and incorporating the science of vibration and sound. Dunn works backwards from the artifacts produced by the ancient Egyptians, showing that only sophisticated machine tools could have produced the hollowed out diorite bowls and other works created by this civilization.
He fashions his theory on the evidence found inside the Great Pyramid, explaining the purpose of all the passages and "rooms" inside. He draws on some of the observations of researchers who went before him, who have noted the unusual acoustic characteristics inside the pyramid. He uses the detailed notes left to us by W. Flinders Petrie more than a century ago. Petrie made extensive measurements and examinations of the pyramid long before the "tomb" theory became gospel. Dunn points out that not a single original burial has been found in any Egyptian pyramid! There is actually no credible evidence that pyramids were built to be tombs.
Another compelling argument against the tomb idea is the tremendous amount of resources that went into building the Great Pyramid. Would a civilization devote such resources to something that returned nothing? Dunn argues that a power plant would provide a large return, potentially of benefit to the whole society, and with the incredible precision and durability of the pyramid, it would provide power for a long, long time. At least, until a disaster struck... Dunn sees evidence that a destructive force did strike the King's Chamber, pushing the walls back. Was it an accident inside the power plant?
I found especially compelling Dunn's discussion of the supposed fact that the Egyptians did not use the wheel. Perhaps they did not need it for the uses we employed it for, because they had hovercraft (much better suited to going over sand), for instance. We must also remember that the Nile River was the primary "road" in their country. Dunn says that Germany under the Nazis developed technology along different lines from the US after only 12 years of isolation. It would hardly be strange if the Egyptian civilization, separated from us by thousands of years, might have developed along different technological lines from us.
I was also excited to see Dunn discuss the Choral Castle in Florida, produced by Ed Leedskalnin back in the 1950s. Somehow, one small frail man was able to move huge blocks of rock by himself. Leedskalnin claimed to have discovered how the Egyptians moved the huge blocks that made up the pyramids but he died without revealing the secret. Dunn theorizes that it involves magnetism and would mean discarding some of the current scientific beliefs about gravity.
Dunn treads gingerly around the Edgar Cayce material, almost apologizing for including it, but I am glad he did. Many of us who seek the truth about our own past find Cayce's words compelling, with their great internal consistency. What Cayce said about the Atlanteans destroying themselves through the misuse of a powerful energy source fits with Dunn's findings about the ancients knowing how to produce electrical power. Maybe they had a more efficient and potentially destructive power than even our own civilization has discovered.
One criticism of Dunn's ideas is that there is little representation in Egyptian art of the uses of this power. There is the famous "light bulb" picture in the Temple of Dendera which seems to show Crookes tubes in use, complete with power cables. There are also in other places depictions of what could be flying machines, so the evidence of advanced technology is not completely absent in Egyptian art, but there are also pictures of people plowing fields using animals and other seemingly primitive ways of working. But as Dunn rightly points out, different societies would use a power source for different purposes. Because they didn't have toaster ovens and cars doesn't prove they had no source of electrical power. Uses of electricity would depend on the economic system of Egyptian society. Was there a profit motive to produce consumer products that use electrical power, as in our society? Who owned the power created in the pyramid and how was electrical power distributed? Dunn has no answer to these questions, although he offers speculations.
Another weakness in Dunn's presentation is that he doesn't deal with specific timeframes for the development of Egyptian technology. The Egyptian civilization lasted for thousands of years which Egyptologists divide into three periods. Dunn vaguely refers to the pyramid builders as "ancient Egyptians" but does not discuss any specific years or relate the accomplishment to any other known historical event. He does not attempt to show how the technology fits into a culture. But of course, Dunn is not claiming to be a historian or archeologist. It would be good if the people who care about this could each bring their expertise to bear on solving the enigmas inherent in the Great Pyramid. Chris Dunn certainly has some of the expertise needed... but not all.
Dunn discusses the inventions of Nikola Tesla who believed electrical power could be delivered without wires, which may be how the Egyptians delivered it. Dunn says wireless power was never pursued because there was not an easy way to meter it -- how would those who controlled it make money? Was the profit motive part of Egyptian society, or would power have been made freely available, or would it only be for use of the ruling class? The need for a return on investment is a primary driver of technology in our present society (and may keep many potentially useful and even life-saving technologies from ever being developed), but what drove technological development in ancient civilizations? We just don't know.
Dunn does not discuss the purpose of the other two pyramids or the other buildings on the Giza plateau. His theory is not complete without discovering the history and purpose of everything built around the Great Pyramid. Could its use as a power plant involve even more ancient Atlantean technology that was later incorporated with other more ceremonial uses? When was knowledge of its true purpose lost?
I hope Chris Dunn will continue his inquiries and that other researchers will carefully consider what he has presented in this wonderful book. Thanks, Chris! You've given us a lot to think about!

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The Tutankhamun Prophecies: The Sacred Secret of the Maya, Egyptians, and Freemasons Review

The Tutankhamun Prophecies: The Sacred Secret of the Maya, Egyptians, and Freemasons
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Where to begin? The book has so many ideas in it that a person could go in any direction trying to comprehend the ideas or doing further research into them. Okay, I'll begin by saying that I really loved this book.
Maurice Cotterell has courage, being a scientist that suggests doing science in areas that many condemn as "junk science" (translation: trespassing on mainstream scientists' holy ground). Cotterell did not necessarily convince me of the radical ideas he proposed, and gave some proof of. Cotterell was not writing for fellow scientists, although I'm sure he could do so very well. Among the most convincing ideas, calculating the speed of light in arcminutes rather than taking it as a constant. Among the least, personality type determined by zodiac signs. Again, it was written for the layperson rather than the specialist, although the ideas are difficult and sometimes covered too superficially. Cotterell makes the reader want to do the science to prove or disprove his theories, many of which are quite plausible.
Anyone who likes Egyptology will like the book. Much of the book covers what came out of King Tut's tomb and how everyone until now has missed the significance of the items therein. For example, included in the mummy's wrappings are 144 objects, a significant number. The history of the Freemasons directly ties in with the Egyptians and Cotterell reveals some of their secrets. The mask of Palenque (from Mayan civilization) and Tut's tomb were carefully designed by sophisticated thinkers who wanted to encode their secrets for their later use. Find out how and why in this amazing book.
A decent read for those interested in Physics, Astronomy, ancient civilizations, the arcane, esoteric groups (particularly the Freemasons), alternative ideas in science, symbolism and numbers in different cultures. econ

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The Serpent Power: The Ancient Egyptian Mystical Wisdom of the Inner Life Force Review

The Serpent Power: The Ancient Egyptian Mystical Wisdom of the Inner Life Force
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Deeper than expected, nearly- if not actually profound.
Although the author, our dear Brother and teacher Abhaya Ashby sometimes lack the necessary academic background and sources (leaving the information to be perceived as mere intuition or observations by the author) one cannot help but to see the Afrikan Centred logic behind it all.
For those seeking spiritual power and who do not rely on extensive academic or scientific evidence, sources or quotes. This can be seen as the spiritual extension of the great Gerald Masseys work.
Recommended.
Praise and Peace.

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You Wouldn't Want to Be an Egyptian Mummy (You Wouldn't Want To) Review

You Wouldn't Want to Be an Egyptian Mummy (You Wouldn't Want To)
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When my 5 year old took an interest in mummies we went searching the library for books on mummies. "You Wouldn't Want to be and Egyptian Mummy" instantly became his favorite. This book puts you in the seat of being the mummy and goes through the steps of you going from dead to becoming a mummy and beyond. This book (and the series) provides a great learning tool while mixing in humor.

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A light-hearted approach to the process of mummification in ancient Egypt.--This text refers to the Library Binding edition.

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Legends of Ancient Egypt Review

Legends of Ancient Egypt
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Eleven tales wonderfully translated, incuding "The Book of Thoth". Probably the best dollar per wisdometer ratio in the biblioverse.

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11 carefully chosen, highly readable stories - among the earliest literature known to Western man - provide a glimpse into the lives and culture of ancient Egyptians. Includes "The Scorpions of Isis," "The Princess and the Demon," "The Name of Ra," "The Regions of Night and Thick Darkness," and more.

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Ancient Egypt (Make It Work History) Review

Ancient Egypt (Make It Work History)
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This is an outstanding book for use by educators. The projects and information are detailed and clear, very easy to follow. Our Summer Art Camp for children ages 5-12 will be using the projects from this book for our time machine trip to ancient Egypt of crafts, costumes, ceramics, etc of the period. This book is perfect for what we are doing!

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Children reach a deeper understanding of historical peoples by participating in the activities that shaped their lives. This hands-on series lets them discover history with projects, facts, photographs, costumes, and maps. Tested projects reinforce traditional lessons and research. A powerful, graphic style combines with informative, sensitive text.

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Land of Enchanters: Egyptian Short Stories from the Earliest Times to the Present Day Review

Land of Enchanters: Egyptian Short Stories from the Earliest Times to the Present Day
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"The revised edition of Land of Enchanters, edited by Bernard Lewis and Stanley Burstein, is well defined by its subtitle: "Egyptian Short Stories from the Earliest Time to the Present Day." The preface is informative, as are the brief introductions to the stories, which describe the travails and triumphs of royals, heroes, spirits and monsters. Typical are "The Story of Dalal," in which a princess wedded to an ogre plans an escape, and "The Island of the Serpent," wherein a shipwrecked sailor is aided by a giant serpent "plated with gold." Sales of this slim volume could get a boost if it is assigned to high schoolers and undergraduates." ~ From Publishers Weekly

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How Would You Survive as an Ancient Egyptian? Review

How Would You Survive as an Ancient Egyptian
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I had to use this book as a report on Ancient Egypt. It had so much information on everything that I needed. It had information on mummies, life, and gods, and more all in this book. If it wasn't for this book I wouldn't be hear with a good grade.

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By reading this book, the reader is transported down a "time tunnel" to the period of the book, asked to choose an identity and given information on all aspects of life in that time in an original, interactive way. A rating is given to establish whether the reader would really have survived. A colour poster is also included inside the jacket.--This text refers to an out of print or unavailable edition of this title.

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Egyptian Rhythm: The Heavenly Melodies Review

Egyptian Rhythm: The Heavenly Melodies
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On reflection, what were striking to the book were its clear and concise references elucidating hard and common facts. Standing on its own or as a companion to Moustafa's book Egyptian Harmony, Egyptian Rhythm is well researched and could fit easily into a school or public library for all manner of ages. Vibrant, the book shows a living and breathing culture of the Egyptians, often shown in modern and popular culture as an enslaving race, as a peaceful culture dedicated to the understanding of nature and its laws. Egyptian Rhythm is not just a guide on the `music of the Ancient Egyptians' - though it does certainly covers that - it is a guidebook to music itself not just as a hobby or business but as it relates between oneself and the world. "Rhythm means flow" Moustafa writes, this book explores that flow, the science of nature and of echoing its harmonies.
This book, like others from Moustafa Gadalla continues a tradition of retaining excellent chapter headings and an in depth index. Preface, is followed by explaining a few musical references and their standards and terminology, an Egyptian Dynastical Chronology, and lastly two maps of Egypt and its surrounding countries. Coupled with the text this book has an easy practical application.
The first part of this book - five in total plus appendices, glossary, selected bibliography, and a detailed brake down of notes and sources - explores the cosmology of music by asking of meaning which the Ancient Egyptians saw as the harmony of the spheres. Music like other concepts the Ancient Egyptians held strong to was that it flowed, not just into a sheltered system of memory repetition as it is nowadays, into other facets of their life. Moustafa presents with facts and research how music/spheres influenced their daily, weekly and yearly cycles.
The second part explores at core root beliefs of harmony, its application, representation and symbolism of the practiced musicians of Ancient Egypt. Modern musicians can easily find common symbolism and harmony not just in a purely mathematical/geometrical or memorized form but as it applies beyond the music to certain rhythms in life. The tetrachord, unison, the octave all have meaning beyond their direct musical implementation, and as such every page has an epiphanous quality more so in the hands of a musician than student, though if you're familiar with Moustafa's books the concepts behind the music will not be alien to you.
The third part takes formation of music and rhythm and explains the patterning used in Ancient Egyptian music, from song structure to scale harmony, the `how to?' of how such a culture implemented techniques frequently derived as of coming from Greece and heavily accredited to the Western World. A sceptical mathematician could check Moustafa's research (he clearly provides the maths & harmony) and be left wanting.
Part four clearly shows the vast quantities of instrument types used with the examples of what few instruments are remaining, current numbers have little part in explaining how broad the range of Ancient Egyptians' instruments was. From the Lyre to the Kanun (yes, Canon) Kithara (Guitar) and Clappers, four sections explain the four main groups; Stringed instruments (both open & stop types), Wind instruments, and Percussion instruments. The references to existing instruments and the level of detail researched on each would be hard pressed to find in any encylopedia.
The final part rounds off the implementation of music into daily applied life, in festivals, or simply public activities. Again as with the other chapters, clear illustrations from hieroglyphs and paintings show the Ancient Egyptians not just as drum beating primitive culture, but one that had and still has a high value to their belief and representational performance that exist purely fragmented in our own society's today.
Note should be made of the appendices. A small chapter in itself, Moustafa explores five topics that go to answer critics or academics further on the topic of music and its dilution from Ancient Egypt.
Westerners may have difficulty with agreeing with elements of Moustafa's exploration into music but the quality and consistency of explored facts without a selfish bias makes it impossible to denounce. Whether for musicians seeking meaning behind the concept of sound or for students of Ancient Egypt, or to a friend of family member, Egyptian Rhythm is an uplifting book of a vibrant and diverse culture that has respect and practise with the laws of nature and its observance.

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Discover the cosmic roots of Egyptian musical, vocal, and dancing rhythmic forms. Learn the fundamentals (theory and practice) of music in the typical Egyptian way: simple, coherent, and comprehensive. See the fallacy of present-day musical theory and practice. Review a detailed description of the major Egyptian musical instruments, playing techniques, functions, etc. Recognise the human body as a musical orchestra in tune with the universe. Discover the Egyptian rhythmic practices in all aspects of their lives. This book will make your heart sing.

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Luxor Museum: The Glory of Ancient Thebes Review

Luxor Museum: The Glory of Ancient Thebes
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The Luxor Museum is small but contains many great artifacts of all types. This photographic approach uses some of the finest examples on display to take the reader through the museum in the order of a tourist visit. A plan of the museum is included. The great majority of photos are of free-standing statues in the round, mainly of royals and a few deities. They are superb examples, mostly of the 18th dynasty. Two outstanding figures that merit mention are the seated statue of Tuthmosis III in black granite, and the magnificent and rarely seen alabaster statue of Amenhotep III with the crocodile-headed god Sobek.
There is so much more that could have been included. It's a nice book of 41 limited color photos that could have been a great volume had it depicted more of the awesome artifacts on display.
Will look good on your coffee table.

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The Luxor Museum houses a fine collection of Egyptian antiquities that is beautifully exhibited. This illustrated volume highlights some of the masterpieces found in ancient Thebes. There are glorious examples of ancient artifacts from tombs and temples in Karnak and Luxor, and the Deir al-Bahari mummy cache. Middle Kingdom statues depict the pharaohs who made Thebes their political capital and Amun the king of the gods. The New Kingdom brings statues and artifacts from the time of the great pharaohs such as Ahmose, Hatshepsut, and Thutmosis III. Akhenaten and the revolutionary Amarna art, and the famous boy king Tutankhamun, are present too.

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Curious Kids: Ancient Egypt (Curious Kids Guides) Review

Curious Kids: Ancient Egypt (Curious Kids Guides)
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My daughter really wanted to dive into the whole egyptian thing. After going to the library and borrowing not so kid friendly books this was refreshing. Easy to read and fun facts.

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Each of these guides is full of lively answers to all those tricky questions about how the world works. Browsers and young students alike will enjoy these lively question-and-answer books with their unique mix of realistic illustrations, fun facts, and engaging cartoons.Special Features•Compact format—easy for small hands to carry•Full of fascinating facts on everything a child may ask•Text carefully pitched to the age level•Factual material presented in a lively style•High quality artwork with amusing cartoons

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Ancient Egyptian Literature: Volume III: The Late Period Review

Ancient Egyptian Literature: Volume III: The Late Period
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This volume continues all of the virtues present in the first two anthologies by Lichtheim. Each work is given a skillful, readable translation, a helpful introduction and equally helpful endnotes (endnotes are presented immediately after each piece). Lichtheim is happy to guide readers toward other works and makes careful reference to her interaction with other translations. These volumes are not only a great presentation of ancient Egyptian literature, but also a gateway to a more thorough examination of ancient Egyptian history.

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First published in 1973 - and followed by Volume II in 1976 and Volume III in 1980 - this anthology has assumed classic status in the field of Egyptology and portrays the remarkable evolution of the literary forms of one of the world's earliest civilizations. Volume I outlines the early and gradual evolution of Egyptian literary genres, including biographical and historical inscriptions carved on stone, the various classes of literary works written with pen on papyrus, and the mortuary literature that focuses on life after death. Introduced with a new foreword by Antonio Loprieno.Volume II shows the culmination of these literary genres within the single period known as the New Kingdom (1550-1080 B.C.). With a new foreword by Hans-W. Fischer-Elfert.Volume III spans the last millennium of Pharaonic civilization, from the tenth century B.C. to the beginning of the Christian era. With a new foreword by Joseph G. Manning.

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Colour & Painting in Ancient Egypt Review

Colour and Painting in Ancient Egypt
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This book is a very good and scholarly source for those who are in the field, and, in my opinion, an interesting read in general (although some of the articles are definately much more aimed at a professional audience).

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This volume arises from the International Colloquium on Colour and Painting in Ancient Egypt, organized by the Department of Egyptian Antiquities in the British Museum in 1996. Contributions range from the search for accurate methods of recording painted scenes on the monuments, through ancient painting techniques, to the symbolic meaning of colour to the ancient Egyptians, an understanding of which allows a better appreciation of their artistic creations. The application of the latest scientific techniques to ancient pigments is also well represented, a field of study that casts new light on the materials used to create the artistic masterpieces of Egypt.

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The Egyptian Heaven and Hell (Corporealities) Review

The Egyptian Heaven and Hell (Corporealities)
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This is actually three books in one which deal with the Amduat and the contents of other underworld books. The book contains the hieroglyphic text, as well as, a translation of the Amduat. Although Budges translation and conclusions are highly questionable the book is still of some use. If there was another English translation of the Amduat, this book probably would have received one star.

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